TGS الموقع الرسمي ل SEGA @ TGS 2009

• Bayonetta (PS3/X360)
• Chin Sports (Wii)
• End of Eternity (PS3/X360)
• Let’s Make a Pro Soccer Club! 6 Pride of J (PSP)
• Phantasy Star Portable 2 (PSP)
• Puyo Puyo 7 (DS)
• Puyo Puyo 7 (Wii, PSP)
• The House of the Dead Overkill (Wii)
• Valkyria Chronicles 2 (PSP)
• Yakuza 4 (PS3)

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Yu Suzuki قال:

^^
لول! انا مو بس لعبت انا خلصت كل من RGG KENZAN و RGG3 هذا الصيف :smug:

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ليه مافي سونيك وسيجا ستارز ريسينج >>" ?!

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Yakuza mastermind Toshihiro Nagoshi has been talking up the next entry in the series ahead of its Tokyo Game Show debut next week. The well tanned creator appeared on Tokyo FM radio program Wonderful World today, and major sites like andriasang.com Famitsu.com and Dengeki Online were invited to attend the recording.
The main topic of conversation during the broadcast itself was the Yakuza (known here in Japan as Ryu ga Gotoku) series in general, but Nagoshi did get in a few Yakuza 4 comments.
Nagoshi spoke about the trend in the Japanese game industry to consider the worldwide market when creating large scale games. Echoing past statements on the matter, he said that he believes it impossible for a Japanese developer to mimic an overseas developer when making games. Instead, he places the focus on "making a game as a Japanese person."
He feels that "Wabi Sabi" (I've lived here 8 years and I had no idea what that was!) and works that reflect these concepts are well received overseas. However, he believes that it's possible to show the qualities of Japan in more dynamic areas as well.
Regarding Yakuza 4, he said, "this is the Ryu ga Gotoku I've most wanted to make." Ideas that he's had in mind since the first title are at last being put to use here.
Following the broadcast, Nagoshi fielded questions from the press. He confirmed that Yakuza 4 will appear in theater-only form at TGS. Don't cancel your Shinkansen ticket yet, though. The content of the trailer, he said, would make people who are already excited to buy the game even more excited. We'll even get a glimpse of a time when the character of Goro Majima did not wear an eye patch!
Speaking about the game's development in general, he said that this time around the team is taking care to reflect the opinions of players. Apparently, many asked that the game's drama volume be expanded, and that's what we'll be getting. But this won't just be a glorified movie, as Nagoshi assured that the mini games and other gameplay elements would be even stronger this time.

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With Bayonetta, we created the Xbox 360 version of the game first, and then handed off all the data and other assets to SEGA so they could begin the process of porting Bayonetta to the PS3, giving them advice regarding the porting process along the way and overseeing the progress to ensure that the PS3 version would be the best it could be.

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Q: As well as your main studios – both internally and external partners – you also have a small specialised Technology Group, can you tell us what they do specifically?

Gary Dunn: They are six of the cleverest developers you'll find. They do all sorts and are our crack team. We have an art director in there, probably one of the best graphics programmers in the business, and some very good general game programmers. We use them as a crack team and they go all over. Their first job was to do the PlayStation 3 version of Viking: Battle for Asgard which they did in eight weeks.

Q: So they're fixers, taking care of issues quickly. Are they just there for problem issues?

Gary Dunn: It's all supply and demand and they do have some quieter periods. They were all actually members of the racing studio before we closed it down. Six individuals that were so talented that we weren't going to let them go to Codemasters. They did Viking just before we sold the studio and it seemed to absolutely make sense to keep that talent.

They're worked on Sonic, they've worked on Bayonetta, their breadth is huge. They're a broad support team. We deploy them in two ways. One is as a crack team when there's a problem, but also when we want to guide and shape a project, and it allows us to get better results from the same game team we were working with.

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The soundtrack is 150 songs, packed over 5 CDs

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The Legend Of Zelda قال:

أدري أنه المعرض موجه لليابانيين ، لكن هل فيه أمل نشوف Border Break للسوق الغربي ؟ :sadwalk:

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- Masami “Uepon” Ueda (اسطورة RE 2 - DMC - VJ - Okami)
- Hiroshi Yamaguch (اوكامي)
- Rei Kondo (اوكامي)
- Norihiko Hibino (ملحن ميتال جير سوليد)
- Helena Noguerra مغنية فرنسية
- Hiro (من سيجا ، اصر كاميا بوجوده في المشروع)

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- Masami “Uepon” Ueda (اسطورة RE 2 - DMC - VJ - Okami)

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JOE قال:

^^

بسعر 55$ و مقرر إصداره في 4 نوفمبر ، إذا عرفت من يقف خلف الـOST ما حتستغرب يا ثامر ، نفس الطاقم إلي انتج لنا واحد من افضل الـOSTs على إطلاق ... Okami و هم :

- Masami “Uepon” Ueda (اسطورة RE 2 - DMC - VJ - Okami)
- Hiroshi Yamaguch (اوكامي)
- Rei Kondo (اوكامي)
- Norihiko Hibino (ملحن ميتال جير سوليد)
- Helena Noguerra مغنية فرنسية
- Hiro (من سيجا ، اصر كاميا بوجوده في المشروع)

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أدري أنه المعرض موجه لليابانيين ، لكن هل فيه أمل نشوف Border Break للسوق الغربي ؟ :sadwalk:

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وهل فيه امل نشوف تريلر او صور لسونيك الجديدة بالمعرض T,T ؟!

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